{"id":4906,"date":"2015-03-14T08:37:15","date_gmt":"2015-03-14T08:37:15","guid":{"rendered":"http:\/\/wildsongwriter.com\/the-stacks-how-country-got-its-texas-makeover\/"},"modified":"2015-03-14T08:37:15","modified_gmt":"2015-03-14T08:37:15","slug":"the-stacks-how-country-got-its-texas-makeover","status":"publish","type":"post","link":"https:\/\/wildsongwriter.com\/index.php\/2015\/03\/14\/the-stacks-how-country-got-its-texas-makeover\/","title":{"rendered":"The Stacks: How Country Got Its Texas Makeover"},"content":{"rendered":"<p><strong>The Stacks: How Country Got Its Texas Makeover<\/strong><br \/>\nIn Dallas, at Nelson&#39;s Whiskey River Club, Nelson, David Allan Coe, or a visiting outlaw-country rocker like Tompall Glaser can sell out the house every night of the <b>month<\/b>. &#8230; All of this good news on the Austin scene started in the late &#39;60s when a <b>&#8230;<\/b><br \/>\n<i>Read more on <a rel=\"nofollow\" href=\"http:\/\/www.thedailybeast.com\/articles\/2015\/03\/13\/the-stacks-how-country-got-its-texas-makeover.html\">Daily Beast<\/a><\/p>\n<p><\/i><\/p>\n<p><strong>An Avant-Garde &#39;Odyssey&#39; From Les D\u00e9lices Ensemble at Columbia<\/strong><br \/>\nThis year they&#39;ve been able to encounter him up close in the exuberant collages of Romare Bearden&#39;s \u201c<b>Black<\/b> Odyssey,\u201d part of an exhibition at the Wallach Art Gallery that closed this <b>month<\/b>. \u201cThe Odyssey\u201d is also the subject of a program of French <b>&#8230;<\/b><br \/>\n<i>Read more on <a rel=\"nofollow\" href=\"http:\/\/www.nytimes.com\/2015\/03\/15\/arts\/music\/an-avant-garde-odyssey-fromles-delices-ensemble-at-columbia.html\">New York Times<\/a><\/p>\n<p><\/i><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>The Stacks: How Country Got Its Texas Makeover In Dallas, at Nelson&#39;s Whiskey River Club, Nelson, David Allan Coe, or a visiting outlaw-country rocker like [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4906","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/posts\/4906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/comments?post=4906"}],"version-history":[{"count":0,"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/posts\/4906\/revisions"}],"wp:attachment":[{"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/media?parent=4906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/categories?post=4906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wildsongwriter.com\/index.php\/wp-json\/wp\/v2\/tags?post=4906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}