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Hey Patrons! Here are your 10!!! Bonus Sessions. We Take A Deep Dive into this concept all over the guitar neck. Hope you enjoy!
#1 https://www.patreon.com/posts/47438856
#2 https://www.patreon.com/posts/47438993
#3 https://www.patreon.com/posts/47439027
#4 https://www.patreon.com/posts/47439968
#5 https://www.patreon.com/posts/47440013
#6 https://www.patreon.com/posts/47440038
#7 https://www.patreon.com/posts/47440387
#8 https://www.patreon.com/posts/47440411
#9 https://www.patreon.com/posts/47440424
#10 https://www.patreon.com/posts/47440439
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Every time I release a video on YouTube, I make a series of extra content and practice sessions that go deeper. I’m adding new videos all the time! Can’t wait to see you there.

How does the Patreon work?! Great Questions: I opened my Patreon in 12/19. If you find a video from 12/19 forward. Just search through Patreon for the same date the YouTube was released and you will find the appropriate bonus session. Rock on.

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32 Replies to “Descending Melodies: A Unique Songwriting Technique You Have Heard, Now Explained.”

  1. I once again thank you for another great lesson. I know this is a little off topic, but what do you consider the best order of events, for a newer guitarist to follow,
    in their pattern of learning?
    If I were to subscribe to your online lessons, what order of events do you present in those? Thanks

  2. I just learned Shady Grove and had no idea of the concept of descending melodies. I now with your help can apply this beautiful concept to other songs that I want to learn, as well as writing my own. Thanks for the aha moment that I enjoy watching your videos.

  3. This was very useful and fun to play. On the D to G chromatic walk down I found it satisfying to play the fith fret barre version of D (D2) and walk it down to an open D (D1) (after the GM) walking down within a walk down ? aha just fun, even though I'm fairly intermediate I still get a lot out of the Guitar Fundamental videos, I can tell my Foundation of fundamentals is a little shaky lol.

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